In January 2020, we invited the Milan-based independent web radio Radio Raheem to move in the main hall of Triennale Milano and broadcast a new series of contents created exclusively for our interdisciplinary project Parla Ascolta Guarda Fai.
On February 18th, Matthew Herbert took over the stage of Triennale Milano Teatro with his new project Matthew Herbert Makes Music, a one-off performance which re-elaborates the maverick British composer’s huge repertoire of almost 30 years. The concert was curated by Fantom as part of the project Parla Ascolta Guarda Fai.
On Sunday, November 10th, we invited sound designer and composer Nicola Ratti to premiere his latest project Concerto per sistemi eccentrici su lunga durata, a six-hour sound performance conceived for the spaces of Triennale Milano, curated by Benedetta Pomini and Ilaria Speri of Fantom, with a lighting environment designed by Andrea Sanson.
On October 5th 2019, on the occasion of the opening evening of the new season of Triennale Milano Teatro, and of the launch of the project Parla Ascolta Guarda Fai, we brought on stage two unique performative projects: Caterina Barbieri and Ruben Spini’s Time-blind, and Francesco Cavaliere’s Zoo Machia Disc.
On the 10th and 11th of June, Marsèlleria – in collaboration with Fantom – invited Raed Yassin to enact, for the first time in Italy, the performances “The Impossible Works of Raed Yassin” and “Solo Double Bass”.